
- Fixing seams in ptgui pro manual#
- Fixing seams in ptgui pro software#
- Fixing seams in ptgui pro plus#
Warp messy edgesĪ common problem with panoramas is that the edges will often bulge and contract, which means you have to crop them off for a tidy frame. Buy a dedicated tripod head for this.Ĭaption: James Paterson 10. Rather than swinging, it’s best to rotate around the nodal point of the lens. When shooting panoramas where there are objects close to the camera, parallax can be a big problem as the swing of the lens causes the misalignment of objects. In addition, HDRs discard exposure, shadows, highlights and contrast.ĩ. For panoramas and HDRs, local adjustments, upright settings, crops and spot healing won’t be carried over. This will also give you the option to send the image file to Camera Raw for toning (which handily offers near-identical controls to those in Lightroom’s Develop Module).ĭon’t bother making adjustments to files before merging, as some will be discarded during the process. If you prefer to work with a bigger 32-bit HDR, you can easily create one using Photoshop’s Merge to HDR feature. Lightroom produces a 16-bit HDR in the Adobe DNG raw format.
Fixing seams in ptgui pro plus#
You can choose from multiple projections and create multi-level or 360° panoramas, plus – unlike Lightroom – there’s no maximum image size. This takes panorama stitching to the next level.
Fixing seams in ptgui pro software#
If, when making an HDR or panorama, the ‘most selected’ is mono, the merged image will carry the same settings.įor greater control over panorama stitching, consider buying dedicated software like PTGui (£88 for a personal licence). When you select several files in Lightroom, one of them will be the ‘most selected’ and therefore given priority. And if you want to turn your shots into a stellar panorama, check out Mike’s video above.The most selected file will have a slighter brighter box. If you’d like to learn more about shooting the Milky Way, here you can read a comprehensive guide, and here you can get a few more quick tips. If you fully edit all the photos before merging, the transitions between them could become visible in the final product. Mike suggests that you do the remaining editing job when the panorama is already merged. Set the parameters and click “Merge” to create your final image. To create the panorama, select all images, right-click, select Photo Merge > Panorama. Then synchronize the images so that the changes are applied to all of them. Select all the images you want to turn into a panorama Apply lens correction to remove the distortion and do the basic editing. Start by bringing your photos into Lightroom. In the video, Mike uses Lightroom to create his final image. If this happens, Mike suggests using PTGui, which is a dedicated panorama program. You can do it in Photoshop or Lightroom, but sometimes they have trouble stitching photos. Stitchingįinally, when you’re done shooting, it’s time to get home, edit your photos and create the panorama. If it’s too high, you’ll start to lose the top of it in the middle of the panorama, so think about your composition. If the Milky Way is too low in the sky, you won’t get much of an arc in the shot. This way it won’t get cropped when you stitch the photos together into a panorama. Make sure that they appear in at least two frames, so you have enough overlap for the panorama.Īnother thing to pay attention to is having enough space above the top of the Milky Way. Use live view or bright monitoring and use the stars you can see in your frame as a reference.


But even if you don’t have the way to measure the angle of turn, you can solve this in a different way. With the 25mm lens, you should have plenty of overlap.

If you have the panoramic tripod head, Mike advises to set it to 15 degrees between each shot.
Fixing seams in ptgui pro manual#
This includes manual focusing, so the focus will stay consistent throughout the shoot. When you get to the location, set up the camera: make sure that the tripod is level and that the camera is turned vertically.Īlso, use manual settings so they don’t change for each photo. It can make it a bit trickier for the computer to stitch the panorama, but you can fix the distortion in Lightroom. Wider lenses (under 20mm) can produce a lot of distortion, especially cheaper ones. From there on, you can try and capture the photos for your panorama with a wider or a longer lens. Mike uses a 25mm lens and suggests that you start with the 24mm or 25mm lens. For this purpose, you can get a panoramic tripod head to make sure that you don’t turn the camera too much. You should have lots of overlap, so the computer doesn’t have the problem to stitch the photos together. To create a panorama, you’ll need to take multiple photos and stitch them together in Photoshop, Lightroom or another program. You can use PhotoPills to determine it, and Mike suggests that the period between March and July is the best for capturing the photos of our galaxy. The Milky Way has a season, so keep in mind that you should determine where it’s gonna be in the sky at your location.
